cinematography

UNUSUAL CAMERA MOVES WITH THE ALEXA M

At NAB this year, ARRI revealed that, at least for the coming year, they’ll be concentrating on anamorphic imaging and the dynamic range of the Alexa rather than trying to compete with high frame rates or 4K.

But they did have some interesting new additions to the product line, particularly if you want to get the camera closer to the action. The Alexa M, which will start shipping this month, is essentially an Alexa that’s been cut in two. You have a 12.1 lb body connected to a 6.4 lb head by a cable up to 20 feet long. That cable can be even longer if you aren’t sending power to the head from the body.

At $100,000 the Alexa M is probably outside the budget of many independent filmmakers, but ARRI has posted a great video on their website showing the Alexa M being used in a variety of different ways. And the interesting thing is, it looks a lot like shooting with a DSLR – and I mean that in a...

Cinematography Cont.

USING R/C HELICOPTERS TO FLY YOUR CAMERA: PART 2

In this second part of an interview with Eric Austin of HeliVideo, Eric talks about camera control, future cameras, and the most amazing sequence he’s shot so far:   What...

USING R/C HELICOPTERS TO FLY YOUR CAMERA : PART 1

Eric Austin of HeliVideo has been flying RC aircraft and helicopters for about ten years, but it was two years ago that he first put a DSLR camera...

PANASONIC NOT SO “IN” TO LARGE SENSOR CAMERAS?

The first day of NAB and it appears that this year Panasonic has nothing to say to indie filmmakers. Going in to the show, Canon and Sony had already pre-announced...

BLACKMAGIC SURPRISES WITH CINEMA CAMERA ANNOUNCEMENT

DP’s are probably aware of Blackmagic Design’s capture and playback devices such as the HyperDeck Studio or UltraStudio SDI. They may have even heard of their Davinci Resolve color grading...

THE EMPIRE STRIKES BACK: CANON GOES 4K

Was it only last week that Sony announced the NEX-FS700, and had everyone wondering where this left the Canon C300? One week later and Canon has seemingly fired back a...

IFP

12 Key Traits of the “Indie-Friendly” Director

Video Village, Indie-Style

 

Not every director is suited for low-budget indie filmmaking, and that’s OK if you’re Terrence Malick or David Fincher. But chances are, you’re not…or not yet, anyway. I...

Stay on Target: Nancy, Please Production

We just wrapped production on the indie feature, NANCY PLEASE. For the first week and a half we shot in New Rochelle where we took over two floors of a...

Plan of Attack

Hello, World. Throughout the year I will be posting dispatches about my journeys as a cinematographer. Since I am currently deep in the bowels of preproduction on Nancy, Please, an...

Balancing a Career

 

The director/cinematographer Jody Lee Lipes has been one of my best friends for over a decade. Since meeting our freshman year at NYU, we have worked together on no less...

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